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@cabel | |||||
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Thinkin about that “STONE” font, which I’ve never seen. It’s interesting how many period fonts DON’T cross over into the future as nostalgia references — only a handful can, I guess. pic.twitter.com/dNfKtNeEHy
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Eric Peacock
@evilpeacock
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24. sij |
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Reverse-identification tools aren’t liking this one.
The results do show that a base font is probably in
there. My gut says this is a custom job (a lot logos are too), e.g. it’d be easy for the ABC art dept. to crank that out with 5 letters by adding “bullet holes”. pic.twitter.com/d0QqMrYvZa
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Cabel
@cabel
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24. sij |
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It's extremely possible — but it feels equally possible to me that it was a Letraset rub-down type that is lost to time! (I used to play with tthose all the time when I was a kid.)
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Ryan Bayne
@mutantlog
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24. sij |
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This reminds of the font from the cover of the single for What's The Frequency Kennth with morse, semaphore, and letter frequency popularity. I know it was used elsewhere, but I forget where, and it'd scream 90s to me. images-na.ssl-images-amazon.com/images/I/61rZO…
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Eric Peacock
@evilpeacock
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24. sij |
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That REM typeface is “FF Identification” from 1993. It comes in a series of weights that you can “stack” to build variations.
Very nineties for sure as it’s also used on a lot of Bill Laswell albums of that era and uh… one of my own cover designs.
fontshop.com/families/ff-id… pic.twitter.com/Uu2CX9SDnk
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🌺 Raven aka Hazel 🌸
@RavenWorks
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24. sij |
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I had to look at it for a while before it clicked that it's actually just a basic "round" kinda font, but with bullet holes through it?
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Eric 🐿
@EricMueller
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24. sij |
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For what it’s worth, Pat Hingle didn’t cross over into the future, either.
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Tom Kell
@tom__kell
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25. sij |
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Oh man, literally just saw a new typeface with exaggerated ink traps that looks like this.. hold
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Tom Kell
@tom__kell
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25. sij |
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Nate M
@n8creative
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24. sij |
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Looks like the dunkin typeface but with... holes...like a donut
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David Furler
@roundearther
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24. sij |
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Its like that awful bubble don’t everyone used to do in primary school
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