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Art in America
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Art in America 10m
Happy Birthday, Marsha!, a film about activist and performer Marsha P. Johnson, will be screened this weekend at with a live score Read Erica Dawn Lyle's review of the film:
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Art in America 2h
Habitats and Humanity: Rindon Johnson’s () Playlist
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Art in America 3h
Review | Jennifer S. Li on Wendell Dayton at
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Art in America 20h
First Look | Dana Kopel () on Rindon Johnson ()
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Art in America 22h
Julieta Aranda’s show danced around ideas that were totally pertinent to the violent context in which it was situated, yet it refused to acknowledge that context directly.
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Art in America 24h
Ree Morton swaddles gallows humor in nursery colors, camouflaging pain with the evidence of a rather determined euphoria.
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Art in America Sep 20
Open Spaces is good for Kansas City, and after years of casual discussion among artists and community leaders about the need for a citywide event, I am glad to see it finally take place.
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Art in America Sep 20
Review | Ariella Wolens on Borna Sammak at JTT
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Art in America Sep 19
"Morton’s career was so short and crammed with discoveries that one tends to focus on single years or even months with an intensity usually reserved for entire decades of a longer-lived artist’s work."
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Art in America Sep 19
"Free Fall is a ruin-like installation in Swope Park by New Orleans-based Dawn DeDeaux. Its forty-eight concrete columns bear the text of John Milton’s Paradise Lost ."
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Art in America Sep 19
“Ree Morton: The Plant That Heals May Also Be Poison” is on view at the . Lisa Liebmann wrote about the artist in our January 1981 issue.
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Art in America Sep 19
Mixed Uses: Open Spaces Kansas City () by Blair Schulman
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Art in America Sep 19
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Art in America retweeted
EmilyJohnsonCatalyst Sep 18
Vital perspectives —THANK YOU. This was a very difficult exhibit to walk into, though I visited the masks many times. No Yup’ik voice (save those of the masks) in the exhibit nor in curation/assemblage is shocking, isn’t it?
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Art in America Sep 18
At its best, blockchain technology faithfully reproduces all the systemic inequities of material scarcity; at worst, it does so with increased susceptibility to malicious influence.
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Art in America Sep 18
From the Archives: Innocence and Irony: The Art of Ree Morton by Lisa Liebmann
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Art in America Sep 18
"The art inside the caves is remarkably uniform; transformations in style and technique are measured not in centuries but in tens of millennia."
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Art in America Sep 18
Presented by advocates as a boon to art market transactions and clear provenance, blockchain technology may in fact serve to confine new digital art forms to old models of private ownership.
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Art in America Sep 18
Happy Birthday, Marsha!, a short film that celebrates the spirit and influence of Marsha P. Johnson, the black transgender activist, unfolds in a kind of looping and stuttering dream time.
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Art in America Sep 17
Cave artists were, as we are, members of the species Homo narrans: people who tell stories.
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